GET TICKETS HERE • Sunday, February 4th • Holocene We are celebrating 14 years of DIY collectivism! Since 2010 the collective has been working together in an anarcho-syndicalist practice sharing resources, access to the means to produce and maintain full control and agency over the methods, direction and creative output of each member’s own labor and art. No lone straw holding the cup. This also marks the return and first Yardsss ∅∀‡ show since Rx Fest in February of 2020. As with all SGC events this is a benefit for local PDX nonprofits. Profits from B14 go to Outside In and Sisters of the Road. Additionally SGC will be collecting non-perishable food and cold weather supply donations during the event to distribute to our houseless neighbors. All are encouraged to bring any items they would like to donate and have distributed. Music by Yardsss ∅∀‡ • www.selfgroup.org/yardsss "Regarding Yardsss: If you read about it before listening, you'd likely mistake it for a liberal arts master's thesis. Where most bands play "shows," Yardsss puts on "performance case studies" and multimedia installations, including a collection of songs inspired by—not covers of!—avant-garde composer John Cage. All this could be completely obnoxious except for one thing: Yardsss is transcendentally, earth-shatteringly gorgeous. If you can make music like that, you get to call your show a case study. Glacial Fall • www.glacialfall.bandcamp.com Glacial Fall is the collaborative effort of Jeremy Hooton and Heidi Elise Wirz, two earth humans from Portland, Oregon. Hyper aware of their own limited life spans and imminent mortality, these are recorded chronicles and visual artifacts of their lives. Sonically Glacial Fall currently consists of two bass players and an Elektron Octatrack. Ellipsism • www.selfgroup.org/ellipsism The solo project of Eli Savage, (Small Skies, Southerly, Yardsss) Ellipsism tries to capture the essence of a moment passed, a moment that no longer exists, the moments that will pass long after we become bones, and eventually stardust. Mixing dark textures of synthesizers, pianos, drum machines, and found sounds with the unison of a chorus of voices that exhort the heartache and uncertainty of the human experience, Ellipsism attempts to reassemble and share these sonically dense echoes of those stories passed and the stories that will be. Visuals by Easy • www.instagram.com/its_easy_ok About Sisters of the Road • www.sistersoftheroad.org Sisters of the Road exists to support low-income and houseless individuals through charitable and educational programs, including providing affordable, healthy, and delicious meals in a space that welcomes all to come dine with dignity. Sisters of the Road uses this space and other programs to build authentic relationships and alleviate the hunger of isolation in an atmosphere of nonviolence and gentle personalism that nurtures the whole individual, while seeking systemic solutions that reach the roots of homelessness and poverty in an attempt to end them. About Outside In • www.outsidein.org Since 1968, Outside In has supported youth experiencing homelessness and other marginalized people as they move toward improved health and self-sufficiency. Driven to meet the changing needs of those it helps, the agency has created an all-inclusive and integrated system of cutting edge and sometimes controversial wraparound services that has transformed and saved thousands of lives over the years. Sunday, February 4th 2024 Holocene (1001 SE Morrison) 7:00 PM Doors / 8:00 PM Show $10 AD / $10 DOS GET TICKETS 21+ Want to help promote and share on socials or directly with friend fam via text or email? Graphicsss below!
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Photo by Katie Summer / Feelfull Photography
We are excited to announce that Portland record labels Amigo/Amiga and Self Group Collective are joining forces! In these present times of great uncertainty in the music industry and into the future, we believe that working collectively allows us to broaden our work within our community while continuing to create the records and art that we love, as well as—in some version of the future—the shows and tours we play. Amigo/Amiga began in 2009 in an old rental house off SE 37th Ave as a way to release the music we were recording in our basement. The first year, we released a/b singles, which culminated with our first full-length releases: Drew Grow & the Pastors’ Wives self-titled album and Kelli Schaefer’s Ghost of the Beast. A lot has happened in the decade since, including records from Modern Kin and Bombay Beach, follow up releases from Grow and Schaefer, countless tours, videos and a crazy livestream of 7 shows in 24 hours from Modern Kin in 2013 titled Hello, World. The independent, self-sustaining, collective-minded principles of Amigo/Amiga have made for a productive and exciting decade, and we are eager to move forward with Self Group Collective to release the next batch of new work. Self Group Collective officially launched in early 2010 with a similar style of DIY collectivism and rapidly evolved into a broader coalition where the means of production, control and ownership of rights, royalties, and all else governing each individual artists’ career is decidedly theirs alone, while each operating as a member of the shared collective. The principles of anarcho-syndicalist creative collectivism also represent the group’s commitment to community benefit work most notably through Rx Fest (all profits from the festival are donated to local non-profits while providing another outlet and opportunity for community engagement), as well as the donation of a percentage of all sales from the Mart (web store). Self Group Collective boasts releases from Yardsss, Morher, Institute For Creative Dying and more. From Self, to Self Group, Amigxs, Amigas, Amigos, now Self Group Collective, our work has consistently embodied the notion that there is “no lone straw holding the cup;” that an accomplishment for one is an accomplishment for all; “a rising tide lifts all boats;” and whatever idiom best represents the lived experience that we all do better when we work together. We look forward to continuing to expand that work moving into the future. Keep an eye out for previously unreleased material, updates, new releases, and someday, tours. SG Promotion: Buttons • Graphic/Poster Design & Distribution • Album Layout • Website Building11/16/2020 We are re-launching Self Group Promotion into the public sphere! Founded in 2005 we are the leading and only professional poster distributor in Portland, OR. In 2010 however we stopped publicly advertising to the public and instead exclusively focused on our roster of clients (Monqui Presents, Wonder Ballroom, Doug Fir Lounge, Crystal Ballroom/McMenamins, Mississippi Studios and more and more).
At least until we can get back on our feet in the concert industry we are re-opening for one-off campaigns for outdoor distribution. We are not currently offering retail at this time. That means your campaign posters on poles throughout the city. Additionally we've been doing poster and graphic design since 2005 as well for our roster of clients as well as for Self Group and the collective as a whole. We can design your poster, send it to print and distribute all in one-stop. We are also opening our doors to button-making! This is something we've done ourselves for our own SG collective, Rx Fest as well as artist buttons but are now offering it as a service. Also also, we are offering website building and development! Either an initial build that you can maintain thereafter with graphic design and layout included or we can maintain and update your website for you for a monthly fee. Also also also, we can do all of your album design, layout and get everything prepped to send off to the printer! The first full-length album from Portland's Yardsss ØØØ is now available to stream and download wherever fine music is sold and streamed. We'll let the album speak for itself... as well as some music writersss... "Regarding Krist Krueger's Yardsss: If you read about it before listening, you'd likely mistake it for a liberal arts master's thesis. Where most bands play "shows," Yardsss puts on "performance case studies" and multimedia installations, including a collection of songs inspired by—not covers of!—avant-garde composer John Cage. All this could be completely obnoxious except for one thing: Yardsss is transcendentally, earth-shatteringly gorgeous. If you can make music like that, you get to call your show a case study." - Portland Mercury "Masterfully cohesive listen not for the faint of heart; immerse yourself in chaos and find wabi-sabi in the soothing ferocity of an album straddling shoegaze, electronica and psychedelia as one unifying tone for the present day. It will blow your fucking mind." - Echoes And Dust "Delves into soaring drone noise and melody as cacophony reminiscent of late-80s/early-90s Swans, Emeralds and Popul Vuh." - New Noise Magazine Artist Page • SG Mart • Bandcamp • iTunes • Spotify
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